Fans of
African art in France have been spoilt for choice this year, with an abundance
of exhibitions around the country, particularly in the capital Paris.
Paintings from Ebony Curated gallery at AKAA. |
Paintings,
sculptures and photographs have all been on view, with established and emerging
artists showcased. The highlights of the year so far include the thrilling Also Known as Africa art and design fair
(AKAA) and the highly praised exhibition of photographs by Malian icon Malick
Sidibé, titled Mali Twist and running
until Feb. 25, 2018.
AKAA
presented its second annual fair in November with 140 artists from 28 countries participating. The three-day event, which attracted 15,000 visitors, received
glowing reviews for its quality and cultural programme comprising talks, music,
film screenings and dance.
“The fair is
a great way to bring people together who love this art,” said Sorella Acosta,
the owner of Spanish gallery “Out of Africa”.
AKAA founder Victoria Mann |
“It’s a very
exciting time for African art, which has seen a world-wide momentum,” Mann
said. “But despite all the interest, the market is also very fragile. We’re
thinking about the development globally and working with a select group of
galleries every year.”
She told SWAN
that the fair collaborated closely with “creators, thinkers and writers” to develop
its cultural programme, which was directed by Senegalese curator Dalimata Diop.
The AKAA selection committee also included Simon Njami, a writer, curator and artistic
director of the Dakar Biennale’s 12th edition. Some 38 international
galleries were chosen to take part in this year’s AKAA.
"Tears of Bananaman" by Jean-François Boclé. |
The artworks
certainly gave rise to discussion. One installation - created by Jean-François
Boclé and presented by the Paris-based Caribbean gallery Maëlle - comprised
bunches of bananas arranged in human form, for a reflection on the legacy of
colonialism.
Titled The tears
of Bananaman, the artwork had words or phrases carved into the fruit’s peel,
in various languages: eat your liberty,
come mis labios, tropicale moi. On the final day of the fair, the bananas were
distributed to visitors, some of whom seemed bemused as they hesitatingly took
bites. The irony was not lost on others - that the fair was taking place in a country that has a complicated and uneasy relationship with its former colonies and overseas territories.
Bananas were
also a feature in paintings by South African artist Lady Skollie, whose pulsating
works were displayed on the lower floor of the Carreau du Temple, a renovated
19th-century covered market where the fair was held. Skollie’s
“Mating Dance” incorporated the yellow shapes, sending echoes of Josephine Baker’s
legendary and controversial images while also provoking thoughts about history.
Artist Virginia Ryan, beside her artwork. |
“We’re not
putting artists into a box and saying you have to be from a certain place,”
Mann said. “AKAA allows for interpretation. Participants can determine
themselves what is Africa and what it means.”
The artists
from the continent addressed a range of topics, such as inequality and apartheid,
as in the case of South African painter Robyn Denny. She put on an exhibition
titled “Indigo - Passage to Healing” with performance artist Mamela Nyamza.
The show
(curated by Beathur Mgoza Baker and hosted by Candice Berman of the
Johannesburg-based Berman Contemporary gallery) consisted of Denny’s
large-scale paintings and Nyamza’s live dance performance.
“Through our
collaboration, we talk about the dark history that many people don’t want to
talk about,” said Denny, who used crushed indigo and acrylic for her work,
creating striking hues. “There’s nothing we can’t say to each other.”
Artists Robyn Denny, James Barnor and Mamela Nyamza. |
“When we turn
our gaze away, artists heal and revive our inherited memories, giving us back
our history,” said the organizers.
Perhaps the
most notable aspect of AKAA was that very few objects could be considered a
“pretense” for "real" art, unlike in many contemporary fairs. Whether it was the
sculptures of Senegalese artist Ousmane Sow - who died last year and to whom
the fair paid homage – or the pictures of Ghanaian pioneering photographer
James Barnor, nearly all the works evoked history and narratives.
“One thing
the artists here have in common is that they are story-tellers, and we all
respond to a good story,” said Mann.
MALICK SIDIBE
Across town,
the same could be said of Malick Sidibé, whose work captures an era in the
Malian capital Bamako and tells stories of the young people, families, and
couples who invited him to their soirées and into their lives.
Malick Sidibe: Nuit de Noël, 1963. Gelatin Silver Print. Collection Fondation Cartier pour l'art Contemporain. |
For art
lovers who appreciate music, Mali Twist
has its own original playlist as well, selected by U.S.-based writer and professor Manthia
Diawara and curator André Magnin.
As if that’s not enough, visitors can also view the sardonic portraits of city life by Congolese painter JP Mika, whose art “reveals the influence of Sidibé’s work on an entire generation of artists”, as Magnin puts it.
As if that’s not enough, visitors can also view the sardonic portraits of city life by Congolese painter JP Mika, whose art “reveals the influence of Sidibé’s work on an entire generation of artists”, as Magnin puts it.