Wednesday 29 January 2014


For Margery Arent Safir, the arts can play an important role in promoting respect for human rights and in bringing people together, and this belief has led her to create an unusual cultural “space”.

Arent Safir (r) with Iranian artist Shirin Neshat
Arent Safir is the founder and director of the Arts Arena, a non-profit organization based in Paris, France, that invites artists from all over the world to speak about their work and share their experiences, with audiences participating for free.

“I really believe that the arts can change people’s lives and people’s thinking,” Arent Safir told SWAN in an interview. “You can be sitting at a concert next to an enemy of your country, but you’re both listening to music, and you’re not fighting – you’re sharing the same music, both going through some kind of transformation."

After years in the academic sphere as a professor of comparative literature, Arent Safir knows firsthand the ability of a novel, for instance, to “communicate things than can alter mindsets”. She founded the Arts Arena in 2007 to involve artists and the public in open discussions with a view to sharing her core beliefs.

“Maybe I’m among the last of the true believers in the power of the arts to do something in this world that has become so radically commercialized, so oriented towards money and getting ahead, ‘advancement’ with a dog-eat-dog mentality,” she told SWAN.  “The arts create spaces where you step back from all that for a certain amount of time, and you get in touch with other values.”

Initially housed at the American University of Paris, where Arent Safir taught from 1987 to 2013, the Arts Arena became independent in September with expanded partnerships that include Columbia Global Centers | Europe.

The Centers are an initiative by New York’s Columbia University to expand its global “mission”, and the outlook fits with the Arena’s objectives, Arent Safir said.  Other Arts Arena partners include the Yale School of Art, Curtis Institute of Music, and Yale School of Music.

Brochures for the Iranian Arts Now festival
The idea of bringing people together is behind many of the Arena’s events. Arent Safir cites the 2012 Iranian Arts Now Festival that she organized in Paris as an example of how a cultural happening got people to discuss their differences.

“The artists from inside Iran did not like and did not trust the Iranian artists living outside,” she recalled. “But over a week of intense artistic activity and then a month-long art show, they had to come together. They ended up talking this all out, and you could see the change. I think this has value.”

In 2014, the Arena is continuing that tradition with a stimulating line-up of events in France. On Feb. 21, the director emeritus of the New York Film Festival, Richard Peña, will give a lecture on the early independent African-American filmmakers in the United States, who created movies between 1915 and 1950 primarily for black audiences.

Their work included musicals, westerns, social dramas and gangster films, few of which have widely been seen. Peña will screen the 1941 film “The Blood of Jesus” by Spencer Williams (the prints of this “lost film” were rediscovered in the 1980s in a Texas warehouse), and he will also conduct a question-and-answer session with the audience.

Later, in May, the Arts Arena will also participate in the United Nations Association Film Festival, and its Travelling Film Festival, both of which celebrate the power of films and videos dealing with human rights, the environment, globalization, and war and peace, according to the organization.

Arent Safir in her Paris study
“This is something that I really want to emphasize about the work of the Arts Arena – our interest in artists who take strong moral positions,” Arent Safir said. “I’m a believer in activist arts and cultural diplomacy.”

Everyone invited to speak at the Arts Arena has done so for free, she said. The organization gets funding from various patrons as well as its membership program and is committed to offering its events without charge, but costs have grown over the years. The challenge is to keep donors accepting that their contributions help others while also providing something for themselves; the Arts Arena does this by hosting some member-only events.

“I feel that nobody should be turned away from a cultural event because of lack of resources,” Arent Safir told SWAN. “We have to break down the barriers between the arts and the real world.” - A.M.

Tuesday 14 January 2014


Nelson Mandela’s life story is “simply too big, too complex and too important” to be captured by a single movie, according to one critic, but this hasn’t stopped audiences from going to see Mandela: Long Walk to Freedom.

The movie poster in French
The film has been playing in several countries since its release shortly before Mandela’s death on Dec. 5, and most viewers have given it a positive rating, singling out the London-born actor Idris Elba for his commanding performance as the beloved South African icon who forgave his captors after 27 years in prison and who worked to unify his country.

A different set of viewers will watch the film on Jan. 24, however, when Long Walk to Freedom is screened at the Annual Meeting of the World Economic Forum in Davos, Switzerland. The Forum brings together leaders from the business, political and academic spheres to “shape global, regional and industry agendas”, but the meeting has often been criticized for being elitist and out of touch.

According to organizers, the screening of the movie is a continuation of the initiative started in 2006 by Prof. Klaus Schwab, founder and executive chairman of the World Economic Forum, “to use the medium of motion pictures to highlight topical global issues”.

In a statement, Schwab said: "Everybody who sees Anant Singh's film, Mandela: Long Walk to Freedom, is moved by the trajectory of this most outstanding personality of the past decades, who was such a great friend of the Forum. This film reminds us to incorporate the spirit of Nelson Mandela into our mission and all our activities."

Mandela addressed Davos participants in 1991, a year after he was released from prison and three years before he became South Africa’s president.

Idris Elba as Mandela
Producer Anant Singh has been invited to present the film as part of a tribute to Mandela, and he will provide “insights” to the production, which is based on Mandela's autobiography of the same name.

Singh said he hoped that the film would inspire the delegates “as Madiba did in his first address at the Annual Meeting".

The delegates this year include Microsoft founder Bill Gates, American actress Goldie Hawn, Iranian filmmaker Shirin Neshat and controversial French businessman Christophe de Margerie, the chairman and CEO of  oil giant Total.

Away from Davos, the biopic received a boost earlier this week when the song Ordinary Love, written by the Irish band U2, won a Golden Globe Award in the United States for Best Original Song - Motion Picture. Lead singer Bono said the win was “personal” for the band because they had written a “love song” to a man who “refused to hate”.