Sunday, 8 June 2025

AT UN, ARTISTS CALL FOR ACTION ON SAVING OCEAN

As government leaders, scientists and civil organizations gather in Nice, southern France, for the 3rd United Nations Ocean Conference (UNOC3) from June 9 to 13, artists across the Atlantic are equally raising the alarm about the calamitous situation facing the world’s seas.

HOMO SARGASSUM is a contemporary art exhibition taking place at UN headquarters in New York to raise awareness about ocean pollution and other ills, through “the lens of the sargassum seaweed”. The show runs throughout World Ocean Month (June), until July 11, and admission is free upon online registration.

“It’s really about understanding our human responsibility in environmental disasters,” said the exhibition's curator Vanessa Selk. “If there’s a proliferation of sargassum seaweed, it’s because we contributed to it through the use of chemical fertilizers, through climate change, global warming… and we have to take full responsibility of this.”

Selk, a former diplomat who now directs the US-based non-profit TOUT-MONDE Art FOUNDATION (TMAF), told SWAN in a telephone interview that the exhibition aims to highlight the voices and work of contemporary Caribbean artists in a wide-reaching way, alongside the subject of the show.

She said that presenting the exhibition at the UN rather than in a museum is “not merely symbolic”, as the aim is to use art to “speak up on certain issues”, in addition to words and diplomacy.

“Museum audiences are great, but that is still a niche,” she added. “By showing the exhibition here at the UN, we’re totally targeting a different public, including international tourists that come to visit the headquarters. The artworks are right at the entrance, and it’s fabulous to see how everyone stops and engages with the show and the information.”   

First presented at the Museum of Fine Arts of Florida State University in Tallahassee from September 2024 to March this year, HOMO SARGASSUM brings together more than 20 artists in an immersive “multisensorial” exhibition – representing countries and territories in the Caribbean and elsewhere, including the French overseas departments of Martinique and Guadeloupe.

Through their work, the artists express concern and invite viewers to “reflect on what can be done individually and collectively to change our relation to the Ocean”, the exhibition states.

The public also learns about the history of the sargassum seaweed scourge, through scientific information showing how the “proliferation of the algae across the Atlantic and on Caribbean coasts since 2011 has wide-ranging environmental, economic, social and health-related impacts for coastal communities and ecosystems.”

Beyond this, the works address wider global problems of marine pollution and degradation, which is the focus of the Nice conference (co-chaired by France and Costa Rica). According to UN figures, some 12 million metric tons of plastic are put into the ocean each year, as images of floating “plastic islands” have graphically shown.

Li Junhua, the UN Under-Secretary-General for Economic and Social Affairs, and Secretary-General of the gathering, told UN News: “The ocean is facing an unprecedented crisis due to climate change, plastic pollution, ecosystem loss, and the overuse of marine resources.”

The UN is hoping for decisive international action that will help to stem further deterioration, and representatives of small island developing states (SIDS) attending the conference are adding their voices to this call.

Jamaica’s Foreign Minister Kamina Johnson Smith, for instance, is highlighting the need for “innovative approaches to financing… that considers the special circumstances of SIDS” and these nations’ vulnerability.

Against the backdrop of the Nice conference, the HOMO SARGASSUM exhibition has included artist talks and curatorial tours to “engage with the public”, as Selk told SWAN.

But the striking works on their own are perhaps enough to spark reflection; included are a large-scale installation by Alejandro Duran, made of “recycled plastic found on Mexican coasts” over the years, as well as a dress by eco-designer duo Felder Felder using “alternative leather” made of Sargassum seaweed.

The overall HOMO SARGASSUM project, which was initiated five years ago, includes a short film launched in 2020; an artist residency curated by Matilde dos Santos in Martinique in 2021 (including virtual exchanges because of the Covid-19 pandemic); a comic book edited by Jessica Oublié, Marion Lecardonnel & Ulises Jauregu, published by Collection Alliance Française in 2022; and an experimental documentary film, according to the organizers.

The exhibition is “endorsed” by the Permanent Missions of France and Barbados to the United Nations, and supported by the Winthrop-King Institute for French and Francophone Studies. SWAN

Photos courtesy of TMAF.

Further information: https://www.tout-monde-foundation.org/

Further reading: https://news.un.org/en/story/2025/06/1164026